So, what happens when you get 14 incredible wedding suppliers together after a whole season’s worth of work goes down the pan? Well…this of course. You can’t suppress creativity and all of us individually and collectively needed to focus on something to really boost our morale after the most stressful few months.

So feast your eyes on this, our beautiful Winding House shoot. It was designed to inspire and help get you back in the groove with your wedding planning. We asked some of the most fabulous suppliers to put their creative mark on this shoot.

Makeup& hair

These beautiful hairstyles were created by the lovely Jules Form Not Another Stylist.

Emily

Base

These beautiful hairstyles were created by the lovely Jules Form Not Another Stylist.

We used Charlotte Tilbury Magic Cream to prep the skin and then the Charlotte Tilbury Wonder Glow Primer was used before applying foundation.

Armani Luminous Silk Foundation was used all over Emilys skin, using a damp beauty blender the foundation was pressed into the skin for a really luminous finish.

Hourglass Vanish Concealer was used under the eye and then before any powder was applied Becca’s Luminous Liquid Highlighter was pressed into the cheekbones using the damp beauty blender. This ensures the foundation and highlighter merges together to provide that really dewy finish.

Cheeks

A big part of this look was all about sculpting Emily’s amazing cheekbones. Cream products were layered on first before gently enhancing the look with powder products.

Charlotte Tilbury Hollywood Liquid Bronzer was used underneath the cheekbones to really help sculpt and define the cheek. This was blended into the skin before applying Becca’s Luminous Liquid Shimmering Skin Perfector. This was pressed into the cheekbones using the damp beauty blender. This ensures the foundation and highlighter merges together to provide that really dewy finish.

Bobbi Brown Cream Blush in “Uber Beige” was pressed into the apple of the cheeks to really merge all the liquid products together.

Using my Tom Ford Soleil Bronzer I then really enhanced the bronzing before gently buffing in the product with a clean brush so all the products were seamlessly blended.

A light dusting of Hourglass Strobe Light Highlighter was used to finish on the temples and cheekbones. The colour I used was “strobe light.”

Eye Makeup

The eye makeup was kept fairly simple, a wash of champagne pink was used all over the eye. I used Charlotte Tilbury Eyes to Mesmerise cream shadow in shade “Jean.”

A really rich kohl liner was used to create the sultry feline flick again I used a Charlotte Tilbury Rock & Kohl in shade “Barberella Brown.” A deep matte brown shaddow was used to press into the liner to stop it from smudging and intensify the colour.

A bright gold shimmer was dotted in the corner of each eye to really make the eye makeup pop.

Ardell individual lashes were used prior to applying a black lengething mascara. I used Maxfactor Masterpeice.

Eyebrows were groomed with Soap Brows and lightly filled in with Mac Brow Tint.

Tom Ford Soleil Body Oil was used to gloss up the shoulders and arms.

Abigail

Base

Abigail’s Skin was prepped and primed with the Bobbi Brown Vitamin E face Base. This generally sits better on combination skin.

Using the Armani Luminous Silk Foundation a light sheer layer was used all over the face. Going back in over the T-Zone with a second layer and really pressing it into the slightly more oily areas.

I concealed the under eye area with the Hourglass Vanish Concealer gently buffing the product into the skin.

Bobbi Brown Loose powder was used to set the T-Zone Area.

Eyes

I used Charlotte Tilbury Eyes to Mesmerise cream shadow in shade Amber Gold all over the eye lid. Using a large eyeshadow brush a soft copper was blended into the socket to add more depth to the eye. I used the Charlotte Tilbury Hollywood Flawless Filter palette.

Black Mac Pro Longwear Fluidline Gel liner was used to create the liner, taking the time to ensure the upper waterline was also lined.

Ardell individual lashes were used prior to applying a black lengething mascara. I used Maxfactor Masterpiece Mascara.

Cheeks

Tom Ford Soleil Bronzer in the shade Bronze Age sculpted the cheekbones an then Mac Blush in shade Gingerlily was swept over the apple of the cheek.

A light dusting of the Hourglass Ambient Lighting Palette was used to finish the temples and cheekbones. I used the bronze shade in this palette.

Lips

We finished Abigail’s makeup with a beautiful vibrant lip colour. Bobbi Brown Lip Liner in Burnt Orange was used to line the lip. Charlotte Tilbury Lipstick in Shade “Amazing Amal” was used all over the lip.

I Applied 3 coats to ensure longevity.

Tom Ford Soleil Body Oil was used to gloss up the shoulders and arms.

Full supplier listing at the bottom of the blog.

CONCEPT | Jessica Hawkins & Matt Ebbage Photography

VENUE STYLING & CONCEPT | Natasha Spencer Events

VENUE | The Winding House

MODEL STYLIST | Luke Reene

PHOTOGRAPHER | Matt Ebbage Photography

VIDEOGRAPHER | Dale Rook Films

MODELS | Abigail Johnson Via Bame Agency & Emily Stoner

NAILS & ASSISTANT MAKEUP | Beauty by Hannah Hennessy

HAIR | Not Another Stylist

FLORALS | Catherine Short Floral Design

RIBBONS & NAPKINS | Silk And Purl

CALLIGRAPHY & PLACE SETTINGS | Boards By Jess

FURNITURE & PROPS | Boho And Bloom Prop Hire

DRESSES | Sarah Seven via Heart Aflutter Bridal  | Katya Katya London | Velvet Jhonstone |

Catherine Deane | Signature By Justin Alexander | Wtoo By Watters All Via Harper Smith Bridal

ACCESSORIES & JEWELLERY | Ruby Jack | Fitzgerald Jewellers